Jessica Wang | Collector Profile

There’s a particular electricity when a piece finds its way into a home that sees it. Jessica has that rare instinct, the kind that isn’t hunting trends or categories but responding to the quiet inner jolt a work can give you. As an artist, you can feel when someone is collecting with their whole sensibility engaged.

Her home features one of my gestural works, and I love the way she lives with it, not as décor, but as a living provocation. She gravitates toward confidence in the hand, the raw edges, the textural depth where the process doesn’t hide. That’s the goal of an artist: for collectors and viewers to engage the pulse inside the surface.

What I appreciate most is her understanding that collecting is a narrative act. Pieces become a record of the ideas, risks, and fascinations that shape a life. When a collector approaches art that way, openly, intelligently, intuitively, the work shifts. It becomes part of the story rather than an object on a wall.

Grateful to have my painting inside a home shaped by such thoughtful sensibilities. And endlessly inspired by the creative minds she keeps in her orbit, people who, like her, move with substance, curiosity, and a deep appreciation for the essential.

Thank you, “art that gives you butterflies, challenges your eye, and grows alongside you.“✨

Step inside the home and collection of tastemaker Jessica Wang. Known for her sharp eye for detail, the texture of a fabric, the line of a silhouette, the mood of a color palette, she brings the same creative sensibility that defines her fashion work into her home. Her New York City sanctuary reflects her belief that art is not merely decoration but the soul of a space, what makes a room feel intentional, personal, and alive. Each piece she chooses tells part of her story, transforming the everyday into a beautifully curated narrative.

“My philosophy is to collect what you love, period. If a piece gives you butterflies, sparks an idea, or just makes you happy when you look at it, that’s all the justification you need. Art is for you, first and foremost.”

What inspires you to collect the work of emerging artists?

There’s a special kind of magic in finding an artist early in their career. Their work has this raw, immediate energy you can almost feel their ambition and passion. It’s like being let in on a secret. You get to be a part of their story as it's unfolding, and that connection makes the art feel so much more alive in your home.

Is there a particular type of art you collect?

I don’t stick to one medium, but I’m always drawn to pieces with a strong, confident hand and a bit of raw energy. I love seeing the artist’s process in the final work. For example, the pieces we have from AOTH and Ali Beletic have this incredible gestural quality and textural depth, they feel primal and sophisticated at the same time. That’s the kind of tension I love.

What is your earliest memory of art, and what led you to start collecting it?

I have this distinct memory of being a kid in a museum, staring at a giant abstract painting and being totally floored by its texture. I couldn’t wrap my head around how paint could do that. That fascination with the feel of things never went away. I started collecting when I realized I wanted to live with that feeling every day, not just see it in a gallery. I wanted to build a world around me that felt tactile and inspiring.

How has the sentimentality of your collection evolved over time?

It has definitely evolved!

My first few purchases were probably driven by the classic “will this look good over the couch” question. Now, it’s so much deeper. I’m drawn to the narrative. Does this piece make me feel something? Does it challenge me? My collection now feels less like decoration and more like a visual diary of who I was, who I am, and who I’m becoming.

Share three people in the creative space who are inspiring you right now.

  1. Phoebe Philo: Her return is everything. She has such an intelligent, uncompromising approach to design that is just endlessly cool.

  2. Axel Vervoordt: He’s a master of creating spaces that feel both ancient and completely modern. His use of texture and natural materials is a huge inspiration.

  3. Kenya Hara: His design philosophy for Muji is brilliant, finding the profound in simplicity. It’s a great reminder to look for the beauty in the essential.

RECENT EXHIBITION: F.W 2025

Ali Beletic’s Neon Primitivism series is an evocative fusion of the archaic and the contemporary, a natural evolution of her commitment to primitivist ideology and her experiential art as both ritual and revelry. This latest body of work reasserts the power of painting as a primal yet deeply modern medium—one capable of transmitting raw sensuality, emotional intensity, and a connection to the earliest human impulses. In a return to the gestural dynamism of Abstract Expressionism, Beletic layers ultra-matte pigments, botanical dyes, and oils, embracing untraditional materials that feel as elemental as they are innovative. The resulting forms guide the viewer across a spectrum of relational artistic sentiments—from the mark-making of cave paintings to the raw immediacy of the New York School, from ceremonial body art to the weathered textures of ancient artifacts. Echoing Charles Olson’s Archaic Postmodern and the bold language of pop art, her work channels the simultaneity of our shared ancestral and modern experience.

This series follows the trajectory of her sculptural explorations, which have often functioned as a contemporary form of experimental archaeology. Beletic’s past works have engaged directly with primitive technologies and experiential landscapes—hand-building mahogany and glass rain catchments, wielding fire as both tool and symbol, and creating artifacts using techniques rooted in early human craftsmanship. Her practice extends beyond the gallery space, transforming environments into sensory experiences, whether by illuminating a boulder-strewn desert for an immersive walk-through or constructing a surfboard from Tule reeds as a celebratory reflection on humanity’s engineering in water. Neon Primitivism continues this lineage, offering a vibrant and tactile invocation of our most elemental instincts, recontextualized for the modern world.

Recent exhibition: The Melrose Collection

Presented as part of the Melrose collection on exhibition spotlighting emerging artists to watch, Beletic’s recent paintings stand as luminous studies in elemental material and chromatic abberation. The works merge ultra-matte, clay-based surfaces with vivid incursions of color—neon, spectral, ecstatic—creating a visual register that feels both primal and futuristic. Curated as part of an exhibition highlighting a new generation of artists defining the aesthetic pulse of the present, Beletic’s work centers on emergence—not as trend, but as force— a broader movement heading in to 2026.

RECENT EXHIBITION: S.F 2025

Ali Beletic’s Neon Primitivism series is an evocative fusion of the archaic and the contemporary, a natural evolution of her commitment to primitivist ideology and her experiential art as both ritual and revelry. This latest body of work reasserts the power of painting as a primal yet deeply modern medium—one capable of transmitting raw sensuality, emotional intensity, and a connection to the earliest human impulses. In a return to the gestural dynamism of Abstract Expressionism, Beletic layers ultra-matte pigments, botanical dyes, and oils, embracing untraditional materials that feel as elemental as they are innovative. The resulting forms guide the viewer across a spectrum of relational artistic sentiments—from the mark-making of cave paintings to the raw immediacy of the New York School, from ceremonial body art to the weathered textures of ancient artifacts. Echoing Charles Olson’s Archaic Postmodern and the bold language of pop art, her work channels the simultaneity of our shared ancestral and modern experience.

This series follows the trajectory of her sculptural explorations, which have often functioned as a contemporary form of experimental archaeology. Beletic’s past works have engaged directly with primitive technologies and experiential landscapes—hand-building mahogany and glass rain catchments, wielding fire as both tool and symbol, and creating artifacts using techniques rooted in early human craftsmanship. Her practice extends beyond the gallery space, transforming environments into sensory experiences, whether by illuminating a boulder-strewn desert for an immersive walk-through or constructing a surfboard from Tule reeds as a celebratory reflection on humanity’s engineering in water. Neon Primitivism continues this lineage, offering a vibrant and tactile invocation of our most elemental instincts, recontextualized for the modern world.

Recent exhibition: Proximities

So excited to share Tappan’s New York exhibition, “Proximities”.

“Proximities” is an exploration of intimacy in its many forms—the quiet, the fleeting, the profound. In a city like New York, where proximity and distance coexist in a constant rhythm, intimacy takes on new dimensions: between people, within solitude, in fleeting glances, and in the spaces we inhabit.

Through painting, photography, and sculpture, the exhibition considers the ways intimacy is shaped and expressed—how we hold it, hide it, and share it. Some works reveal the closeness of personal relationships, the weight of unspoken words, or the quiet rituals of self-connection. Others reflect on the intimacy we forge with our surroundings, how objects carry memory, and how spaces—both public and private—become vessels of attachment.

At times tender and restrained, at others raw and unguarded, the works in  invite viewers to examine their own relationship with intimacy: the moments that linger, the ones we long for, and the ones that slip away

The exhibition will run from May1st - 22nd, and is open from 11am - 7pm daily. There will be a reception May 13, 5 -7pm

Located at: 100 Grand Street, New York, NY 10013

Frieze Week Exhibition and Announcement of New Series

If you’re attending Frieze Week Los Angeles this year, don’t miss Etudes: Object Humanity—Ali’s early studies that offer a first look at the bold, pop-inflected direction she’s charting for 2025. These works serve as both a prelude and a collectible artifact, distilling the essence of her upcoming Object Humanity series in vibrant, gestural form without unveiling its full-scale ambition.

Following the success of Neon Primitivism, Ali returns with Object Humanity, an evocative and emerging new chapter in her exploration of humanity’s relationship with time, materials, and meaning. This series deepens Ali’s investigation into the cultural and existential forces that shape us. With a distinct blend of intellectual curiosity and artistic daring and a nod to punk ethos, the series champions what Ali terms the “Cultural Simultaneity,” a framework that fuses philosophical pluralism with the fractured perspectives of cubism. Ali’s bold, extroverted vision works to juxtapose and collapse tradition with subversion, the historic and the now, abstraction with gesture, the sacredness and commonality of all things and the historic with innovation.

They will be on preview during Frieze Week LA, as part of A Show of Support at Tappan on Melrose, opening February 27th, this preview is a rare chance to witness Ali’s evolving aesthetic before it fully takes flight—and to take home a piece of that genesis. Proceeds from her sales will support those impacted by the recent LA fires, making this both an artistic moment and a meaningful one.

NEW EXHIBITION: W/S 2025

Wilderness Civilization
Clay, Pigment, Acrylic and Charcoal on Canvas

72" x 72"

Ali Beletic’s Neon Primitivism series is an evocative fusion of the archaic and the contemporary, a natural evolution of her commitment to primitivist ideology and her experiential art as both ritual and revelry. This latest body of work reasserts the power of painting as a primal yet deeply modern medium—one capable of transmitting raw sensuality, emotional intensity, and a connection to the earliest human impulses. In a return to the gestural dynamism of Abstract Expressionism, Beletic layers ultra-matte pigments, botanical dyes, and oils, embracing untraditional materials that feel as elemental as they are innovative. The resulting forms guide the viewer across a spectrum of relational artistic sentiments—from the mark-making of cave paintings to the raw immediacy of the New York School, from ceremonial body art to the weathered textures of ancient artifacts. Echoing Charles Olson’s Archaic Postmodern and the bold language of pop art, her work channels the simultaneity of our shared ancestral and modern experience.

Transitional Worlds x Land Aerials
Clay, Pigment, Acrylic and Charcoal on Canvas

72" x 60"

This series follows the trajectory of her sculptural explorations, which have often functioned as a contemporary form of experimental archaeology. Beletic’s past works have engaged directly with primitive technologies and experiential landscapes—hand-building mahogany and glass rain catchments, wielding fire as both tool and symbol, and creating artifacts using techniques rooted in early human craftsmanship. Her practice extends beyond the gallery space, transforming environments into sensory experiences, whether by illuminating a boulder-strewn desert for an immersive walk-through or constructing a surfboard from Tule reeds as a celebratory reflection on humanity’s engineering in water. Neon Primitivism continues this lineage, offering a vibrant and tactile invocation of our most elemental instincts, recontextualized for the modern world.

Ali's Work Featured in a Recently Completed Modern Home designed by Sabin Viehland

“Sometimes a single painting is all a space needs. Looking forward to sharing more photos of this recently completed, modern home.”

Audra Viehland and Michelle Sabin began their collaborative studio practice with the shared goal of making beautiful, livable spaces that improve the wellbeing of people. Decades of combined residential, hospitality, and institutional design experience precede their partnership. Audra and Michelle first collaborated at Peter Talbot Architects, honing their interior detailing skills through high-end residential, commercial, and restaurant projects, including Community Table and Lake Waramaug Country Club.

In 2020, Sabin Viehland formed their interior design studio.

Ali’s work featured in Architectural Digest Middle East

Kim Lapin is an interior designer and decorator based out of Los Angeles. She believes that the home and our surroundings should reflect who we are, what we love, and how we want to live.

Ali’s work is featured in the entrance as a sophisticated statement upon entry to the compound.

View the house tour on Architectural Digest.

The Paragon of Wonder Exhibition

Paragon of Wonder invites you to explore the powerful emotions and aesthetics that arise in moments of curiosity and awe. Wonder is the sensation of encountering the unknown, the mysterious, or the extraordinary—that which takes your breath away and shifts your perspective.

Through various media, these artists capture the essence of wonder: from the vastness of nature to the mysteries of the human mind, from intricate details to expansive visions. This exhibition challenges viewers to slow down, look closely, and let the imagination roam free.

Artists featured in the show:⁠

Ali Beletic
Laura Burke
Ethan Caflisch
Michael DeSutter
Tadahiro Gunji
Lisa Hardy
Virginie Hucher
Viktor Kobylianski
Emma Ortiz
OVSKA
Caroline Pinney
Irinka Talakhadze
Amy Wright
Jordan Wright Patterson
Micheal Harnish

RECENT EXHIBITIONS: F.W 2024

Beletic’s Neon Primitivism series is a natural extension of the artist’s commitment to primitivist ideology and ‘bringing the party and the fun’.  This new series celebrates the canvas and painting as a form with the power to transfer primitivism, sensuality and emotion to a space in a modern return to Ab Ex style, mixing the ultra mattes of her signature clays, sourcing untraditional pigments, botanical dyes and oils. Pointing to forms that enlight the viewer towards multiple directions of cave paintings, the new york school, ceremonial body paints, line work, weathered artifacts, Charles Olsen’s Archaic Post Modern and pop art, Ali celebrates the vivid marriage and simultaneity of our shared archaic and contemporary inheritance.

This follows in the tradition of her prior sculptural work (almost an artistic take on experimental archeology) which traces primitive technologies and works with the experiential and the sensual - i.e. hand building mahogany and glass rain catchments, working with fire as a sculptural element, exploring artifact creation using primitive tools and techniques as a means to explore human ancestry, lighting up a boulder strewn desert for invitees to walk through, and building a surfboard from Tule reeds.

TRENDHUNTER Feature

Vibrant Design Collections

In tandem with the New Year, Ali Beletic and her studio team announced new works under the Neon Primitivism Series. The latest collection of decor showcases oversized festive sensibilities, vibrant colors, and epic scale that will certainly create a statement in any upscale luxury home or establishment. Silhotaneusly, the paintings also effortlessly juxtapose ancient and modern elements that will capture attention. 

Luxe Magazine describes Ali's Neon Primitivism Series as "bringing the party" as the works celebrate a fusion of unexpected gestures with diverse materials like clays, pigments, and spray paint to create a signature glow. About the work, Jen Samson shares that "the juxtaposition of old and new really draws [her] into this subtle yet vibrant piece by Ali Beletic. There is a joyfulness about this that plays to [one's] visual senses.

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RECENT EXHIBITIONS: S.S 2024

Beletic’s Neon Primitivism series is a natural extension of the artist’s commitment to primitivist ideology and ‘bringing the party and the fun’.  This new series celebrates the canvas and painting as a form with the power to transfer primitivism, sensuality and emotion to a space in a modern return to Ab Ex style, mixing the ultra mattes of her signature clays, sourcing untraditional pigments, botanical dyes and oils. Pointing to forms that enlight the viewer towards multiple directions of cave paintings, the new york school, ceremonial body paints, line work, weathered artifacts, Charles Olsen’s Archaic Post Modern and pop art, Ali celebrates the vivid marriage and simultaneity of our shared archaic and contemporary inheritance.

This follows in the tradition of her prior sculptural work (almost an artistic take on experimental archeology) which traces primitive technologies and works with the experiential and the sensual - i.e. hand building mahogany and glass rain catchments, working with fire as a sculptural element, exploring artifact creation using primitive tools and techniques as a means to explore human ancestry, lighting up a boulder strewn desert for invitees to walk through, and building a surfboard from Tule reeds.

AN INTERIOR Feature

Midcentury Meets Contemporary

40 Mile / Featured in AN Interior
Clay, Pigment, Acrylic, Oil and Charcoal on Canvas
72” x 86”

Ali’s work was featured in AN Interior Issue 24 announcing their annual Top 50 list of best interior architects and designers, in a home re-designed by chic designer Shannon McLaren of Prairie and architect Denise Xagorarakis of Xag Designs “It was also important that large blank walls be included to display the couple’s art collection, including an abstract work by Ali Beletic that hangs over the leather sectional by Mårten Claesson, Eero Koivisto, and Ola Rune.”

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Recent Exhibitions: Siggraph, curated by Project____

We cordially invite you to the opening of “Points for Clouds, Dreams Aroused” a design and media art group exhibition featuring a curation of pioneering artists working at the confluence of art and technology including: Film, Animation, Sculpture, Light, Generative Art, Projection, Paintings, Performance, and Time. Hosted at Future Factory the exhibition will feature three gallery rooms, a panel discussion and an afterparty in the new Future Factory venue featuring a lineup of surprise live performances.  Presented by the combined forces at Projekt______, AI LA and Future Factory this will be a historic night in the LA Art + Technology scene.

About the Panel: Researchers, creatives, and founders in Neural Radiance Fields (NeRFs) come together to talk about exciting opportunities resulting from NeRFs in the entertainment industry. Recent discussions around AI’s use in the entertainment industry has become the leading deal point in current strikes. But some subsects, led by NeRFs will enhance and empower filmmakers in ways not previously possible. This conversation will explore this topic and more. Panelists include Paul Trillo (Art Class Content), James Perlman (TurboNeRF), Fernando Rivas (Volinga AI), Wren Weichman (Corridor Digital).  

Come celebrate Siggraph with a full bar and surprise performances late into the night. Sculptures will be on display and for sale in person and online via open edition NFTs Starting Aug. 10th.

Debut full length Alivenique record, Year of the Statement out Now!

“With Year of the Statement, artist Ali Beletic is cementing her place as a firm part of the new wave of female artist, singers, beatmakers and producers with her vibrant and fun, even arty celebratory beats, cinematic narratives, and hyper modern production.“

“A fusion of genres and music both traditional and futuristic” - Stere0gum

Lightning Studios is excited to announce the release of Alivenique’s debut full length album Year of the Statement. Alivenique is the new pop art music project of visual artist and producer/singer Ali Beletic. Advance album singles have been featured on NPR Music, TalkHouse, Stereogum, and Flood Music.

From the outset of her career as an artist and musician, Ali has rebelled against convention, juxtaposing editorial, personal narrative and vanguardism. For her, Year of the Statement is the blowing of the conch shell on this new project Alivenique, where she plays with a more sophisticated, developed, self-aware artistry, laying the foundation for femininity going forward, telling a global story, and bringing punk into pop-art.

Themes on Year of the Statement include womanhood and the female spirit, the new integration of the avant-garde with pop art, primitivism, ceremony, the lexus and the olive tree, power, champion, globalism, and love. However, she intends to define the space for extroverts and party-ers working with dance beats, percussion collages, and her contribution to a new neon global sound.

The record sonically traverses a lot of soundscapes, from vibrant party tracks like Cachaça and Move the Needle to loud, explosive, badass feminine tracks such as Year of the Statement and Ruins of Night, to artistic hyper pop tracks such as Vanguards and Candlelit Jungle. All with clever narratives taking us on tropical and lush journeys through time and place, nature, art, cinema and world travels. Hyper mixing modern 808’s, world percussion, catchy syncopapted 16th note defiant vocals and soaring melismas full of swagger, the sonic production literally moves from beats, stories, musique concrete, samples and reverbs that travel from jungle to the orchestra to vintage french pop sing along in a fluid motion.

Composed electronically, Ali builds beats from layers and layers of recorded and sampled percussion and pairing this with unique combinations of cinematic strings, distorted synths, and rattling 808s. She was wanting a more inclusive, extroverted sound after the intimate and desert hues of her last record, so she turned to modern production. In general, her art and music have been turning to a more pop-art perspective.

“I am working in a post-genre space, mixing all sorts of sonic palettes, and musical influences, really working with how this harmonic idea might fit over this beat, and what that juxtaposition means and how to EQ it just right to communicate different emotions to the listener. It’s super cool to be a woman bringing those different aspirations together, as so often I feel like we get a little bit relegated to singer, or poppy, which I totally identify with, I just also totally identify with songwriting, making beats, and digging deep into arranging, production and mixing techniques.”

This switch to a more pop art approach in her music mirrored a similar development in her visual art as well, where she transitioned from Earth Art installations and experiences to a more two dimensional Pop Art space, her land themes translated into clay and dye backgrounds set against eye catching neon foreground in her Neon Prmitivism painting series which as been celebrated by Vogue, Ignant, and Architectural Digest, and featured in collections across the world. Similarly, her music developed away from the more intimate, handmade scale of her first record that drew comparisons to Cat Power and Bill Callahan, where the lyrics drew on her thesis of shared human tradition and mythology, to a more extroverted, pop, electronic space, that draws these themes into the use of traditional percussion and vast cinematic sonic landscapes.

“During my time in film school, I developed this concept of the ‘Hyper Real’ - a way that filmmaking recreates the “real”, but as heightened sensual experience - this is certainly one of my inspirations sonically with the Alivenique project and the Year of the Statement record to invite the listener into a sensual experience - a hyper real. I’ve been using all the latest production techniques, to sort of go in and find a new process for both writing, but also mixing, and creating a unique listener experience. Utilizing a global sonic association/post genre palette while writing, playing on listener associations, as well as sensual sonic techniques.”

Ali mentioned “I was super inspired writing more electronically, and making beats, as I was able to bring to life music that I had sort always envisioned in my head, but isn’t possible using only the palette of guitar, piano, and vocals - which are the instruments I play,” and goes on to say “There are less female voices in the modern pop beat and production space and I thought my sense of modern femininity could not only be expressed in this part of the world, but influential and contributive.”

“As an artist, I look at the broad spectrum of people and cosmologies to influence my own worldview and the concept of our shared narrative. I believe in a citizen of the earth sort of perspective and am interested in the intersection and differences in worldviews and how that can inform us as a global society and people. So philosophically, I hold what I call a pluralist philosophy where we can employ and believe in multiple worldviews simultaneously.”

Recent Exhibitions: Apieron at Tappan on Melrose

APEIRON, Exhibition centered on the energy behind creating with no limits. Apeiron, Greek for “that which is unlimited” features a diverse range of works that express the energy of life and the importance of uninhibited creativity using various mediums including paint, film and clay, exploring the interplay between chaos and calmness of ideating with no bounds.

We invite gallery guests to immerse themselves and explore works by artists Ali Beletic, Luke Chiswell, Qhamande Maswana, Petra Schott, Jessica Sellinger,
and Vince Palacios.

Stop by and check out Ali’s works on view at Tappan’s new gallery on Melrose, exhibition is up April 20-June 22.

Recent Exhibitions: Light Reflections

⁠"Beletic’s Light Reflections series, following the thread of her ‘ancient meets modern experiential’ thesis, creates spectral color field environments through radiant paintings made using Ali’s signature blend of clays with vibrant pigments, harnessing the beauty of the reflection of incident light on a vibrant palette, paired with the absorption of light utilizing her signature clay material.⁠"⁠

Ali says about the work, “Something so matte and of the earth, but reflecting light at such a high refraction rate - it’s not like it’s a mirrored polished glass - it has a truly gorgeous sensual serenity. It sort of has a similar effect to a reflection pool, or the metallic reflections of the ocean at sunset, but it is earth and this super vibrant shocking color.”⁠

Recent Exhibitons: W/S 2023

Featured in Luxe Magazine

Beletic’s Neon Primitivism series is a natural extension of the artist’s commitment to primitivist ideology and ‘bringing the party and the fun’.  This new series celebrates the canvas and painting as a form with the power to transfer primitivism, sensuality and emotion to a space in a modern return to Ab Ex style, mixing the ultra mattes of Mexican folk art by sourcing untraditional pigments and incorporating clays, botanical dyes and oils, and pointing to forms that enlight the viewer towards the multiple directions of cave paintings, the new york school, ceremonial body paints, line work, weathered artifacts, Charles Olsen’s Archaic Post Modern and pop art, celebrating the marriage of archaic and contemporary tradition, sensuality and artistic expression.

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