Ali’s work has recently been featured in Fashion Director Eva Chen’s Curatorial in Architectural Digest, Writer, Creator and Actress Maya Erskine’s Curatorial on Tappan, and on Vogue’s online curatorial with writer Arden Fanning Andrews and Guest Curator Tamara Johnson.

Thank you so much for your interest in my work. Below are my latest works.

Please feel free to reach out to the studio to discuss any of the works via our inquiry here or by emailing the studio at studio@alibeletic.com.

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The colorful explosion of modern neon colors and primitive forms in Neon Primitivism is a natural extension of both Ali’s primitivist ideology and her commitment to rock n roll.  This new series celebrates the canvas and painting as a form with the power to transfer primitivism, sensuality and emotion to a space in a modern return to Ab Ex style, mixing the ultra mattes of Mexican folk art with earthy clays, and vibrant charcoals and oils, and pointing to forms that enlight the viewer towards the multiple directions of cave paintings, the new york school, ceremonial body paints, line work, weathered artifacts, Charles Olsen’s Archaic Post Modern and pop art.

"My family will be celebrating the holidays from our new weekend house for the first time this winter. We designed the space (with the marvelous Hendricks Churchill) to be a respite from NYC. As such, we were immediately drawn to soothing abstract art. Ali Beletic's serene but joyful work is a foundation for the aesthetic in our house—and similarly serves as my inspiration for this curation. " - Eva Chen

“When I saw how Tappan Collective chooses guest curators to put together collections of works, I obviously was drawn to Maya Erskine’s picks,” says Johnson of the Pen15 creator-producer-actor’s selects, including Alexis Arnold’s sold-out Crystallized Books series and Ali Beletic’s Material and the Sensual painting.

Ali’s work across multiple mediums has always been founded conceptually in both her nature and survival skills studies as well as her ‘bringing the party and the fun’.  It is here that Ali’s conceptual work led naturally to the crossover that would lead her to explore paintings based on sensuality and dimension - the feeling, the experience and the space they create.  It was here that she derived the process of working with clays, dried plant materials, botanical dyes, and paints made of finely crushed rare minerals and gems, to explore glowing mattes and chalky earthy textures.  This follows in the tradition of her prior sculptural work (almost an artistic take on experimental archeology) which traces primitive technologies, and works with the experiential and the sensual - i.e. hand building mahogany and glass rain catchments, working with fire as a sculptural element, exploring artifact creation using primitive tools and techniques as a means to explore primitivism, lighting up a boulder strewn desert for invitees to walk through, and even building a surfboard from Tule reeds.

Her directness of emotion communicated through primal, rugged gestures, juxtaposed with an integration of ancient philosophies explores the thin line between symbolic totems, anthropomorphic figuration, gestural abstraction and a modern pop sensibility.  Her confident and rule shattering sensibility pulls on us to be 21st century rebels once again and to seek wildness, experience, humanity, and mythos.